They Shall Not Grow Old Stream
Más detalles
- Productores
- Clare OlssenPeter Jackson
- Estudio
- WARNER BROS.
- Clasificación
- R (restringido para menores de 18 años sin compañía de adultos)
- Advertencias de contenido
- Violencia
- Derechos de compra
- Transmisión instantánea y descarga a dos ubicaciones Detalles
- Formato
- Prime Video (transmisión de video en línea y descarga digital)
- Dispositivos
- Disponible para ver en dispositivos compatibles
Otros formatos
Comentarios
5096 calificaciones globales
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El 78% de los comentarios tienen 5 estrellas
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El 12% de los comentarios tienen iv estrellas
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El half-dozen% de los comentarios tienen iii estrellas
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El 2% de los comentarios tienen 2 estrellas
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El 2% de los comentarios tienen 1 estrellas
Comentarios principales de Estados Unidos
three.0 de 5 estrellas
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This is a review of the purchase on Amazon Prime Video.
The restored footage is first-class. I saw this film four times in the theater, and was expecting the same experience from the $19.99 buy on Amazon Prime. I did not get it, and I feel cheated. The first ane second was oddly the clincher. The introduction past Peter Jackson is missing as is the 30 minute afterward characteristic of the process of restoring the footage. Those are critically integral to the motion picture, or at least Jackson thought so, nonetheless they are missing. It is beyond belief that those are non included in the Prime video purchase.
I loved the film and appreciated the efforts that went into the restoration procedure. Information technology's a shame that these efforts, an integral role of the story, are not even presented in the Prime version.
A 94 personas les pareció útil
5.0 de 5 estrellas
Before I review the film, people need to stop giving this motion picture just i star if they buy a DVD that's incompatible with their histrion. It'south non Peter Jackson's mistake that they're idiots and ignore the warning. The motion-picture show itself is bright. As a historian of the late-19th century and World War I, I couldn't believe the outstanding piece of work done bringing these "actualities" (as they were called at the time) to life. Forget the horrendous colorizing of the past; this procedure is truly impressive. The work done to go the color of the diverse regimental insignia right as well as getting voice actors from the hometowns of those regiments to speak the lines the soldiers were maxim onscreen (cheers to lip readers) shows yous the attention to item and Jackson's want "to get it right." The war is told primarily from the British side considering that'south the source cloth Jackson had to work with. If you understand the importance of the Great State of war, you'll desire to see this film. If you don't understand the importance of that war, you'll want to see this movie and learn about your past, for the Commencement World War is constantly with us.
A 122 personas les pareció útil
one.0 de 5 estrellas
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Certainly an important documentary which we could not follow due to subtitles being way behind the film's action. For anyone with hearing harm this would be totally unacceptable.
A 35 personas les pareció útil
ii.0 de v estrellas
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This 2018 film is a documentary of British soldiers' World War I western front experiences. It is presented by Jackson in a rather strange and not-so-effective format. There is no directed story telling hither; it'south just a series of clips and quotes.. The format is non of the documentary style of film making.
The film clips are taken from stock combat footage and the audio clips were taken from interviews made decades ago (the last WWI veteran died in 2012). Color film clips were originally black and white but were colorized by Jackson. Colour flick movie wasn't invented until the late 1920'due south. A lot of CGI was added the the gainsay footage to clean it upwards. The audio runway of soldiers talking to each other on film and the background foley for those scenes was added in post production. Movie soundtracks weren't invented until the tardily 1920'south.
The film does goose egg to capture the horror of the western front end. In fact the film opens with several short quotes from veterans who all basically say the war wasn't a trouble for them and they had no bug later the war (with PTSD). Jackson fabricated no endeavor to put those quotes into context. The veterans (who would take been born circa 1900) interviewed past unnamed persons sounded to be in their seventy's. The interviews likely took place during the Vietnam State of war era probably the early to mid 70'south. Past the early lxx's PTSD had become a huge problem for Vietnam vets. Many WWI and WWII veterans originally turned up their noses to Vietnam vets who complained of gainsay PTSD. They had been raised to believe "gainsay fatigue" was a form of cowardice. It took those older vets a very long fourth dimension to come up to terms with the effects of PTSD relative to their gainsay experiences.
Beyond the disjointed clips the moving-picture show doesn't add much new content or cognition about World War I veterans' experiences.
Is it worth watching? Yes, merely exist prepared. The technique of brusque sound quips and generally unrelated moving picture clips going on for 90 minutes does become monotonous. It'south not the veterans' stories that are the problem here. It'southward Jackson's creative choices that don't quite click which disappoint. Jackson experimented with a "different" documentary style and it but did non come together.
A thirteen personas les pareció útil
iii.0 de 5 estrellas
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The moment when the hasty blackness and white footage transforms to flowing colour is remarkable. After that the images become hard to take ....smiling troops, generally cheerful for the camera, a shocking number of whom look misshapen, stunted, and have missing or grotesquely crooked front teeth (a reminder of the hard upbringing of the British working class in those days), and then the broken encarmine corpses lying in filth... and all the while non-stop snippets of narration by old men (actual veterans? Actors reading what the real vets wrote? We're left in the dark on that, at least in the truncated Amazon version). The voices sound unnatural...by turns chipper and coldly detached. Perhaps information technology was the emotionally detached who were best able to survive the ordeal? The effect seems a bit like watching footage of concentration camps while survivors (or actors impersonating them?) talk causally of the everyday routines.... "Oh yeah, we had to pace over our friends bodies quite a lot, simply then if we were lucky there was a cup of tea waiting..."
Simply at the end of the film practice the voices reflect on the pointlessness of information technology all.
I'm not quite sure what'southward missing from this documentary. Historical context? Emotion? Rage? It all seems hollow and pointless somehow, like the war itself. The colorization and motion adjustment speedily loses its initial shock and awe. But who knows, mayhap pointlessness was the mood Jackson was aiming for. Anyhow, information technology'southward a film yous're not likely to forget.
A sixteen personas les pareció útil
5.0 de five estrellas
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The first thirty minutes are in black and white and brainstorm the story of WW 1. When they switch to color, the people come alive. They sharpened the images fashion upwards, added colour and even used a lip reader to know what the soldiers were saying, then dubbed the voices. IDK if people appreciate the work done on this movie. It deals simply with the trench soldiers, not the Air Force, Marines or the Navy. Those definitely could be candidates for future films. The colorization is not what other companies did in the lxx'southward. It is real sharp, variable in tone and saturation. Looks like they filmed it yesterday. They fifty-fifty had to adjust the speed to be natural, because in 1917, the movies were paw cranked so the speed could be real fast or real slow. They made a natural movement of motion. Definitely worth watching if you are interested in the First World War. I think most of the negative reviews on this moving picture were because the people ordered a PAL version for United states. I fabricated sure mine said Region A/1. Works and plays wonderfully.
A 12 personas les pareció útil
5.0 de 5 estrellas
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Peter Jackson and his crew did a remarkable job of telling us the story of World State of war I from the perspective of the British soldiers who fought in the trenches and dealt with every mode of death, dying, and misery. The fact that Jackson'southward people were able to use their amazing CGI facilities and skills to process the footage, colorize it, deadening information technology down to normal speed, and sharpen the images makes the story come to life in a mode that looking at the jerky, too-fast, silent footage we acquaintance with that era could never do. The narrative consists entirely of the voices of existent men, telling their own real stories, as we watch the scenes play out before us accompanied by realistic audio effects and the occasional vocalism-over for figures seen speaking on camera. On the hundredth anniversary of the end of WWI, this picture show is a wonderful tribute to brave, tough men who fought under horrible weather and who lived to tell about it, and a memorial to the ones who never came back to tell their stories. And do ignore the one star reviews. They have naught to do with the content of the flick.
A 6 personas les pareció útil
3.0 de 5 estrellas
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After initially making a large affair about how the tempo and experience of war changed from yr to year, that then got apparently completely forgotten, and instead we got an amorphous, undated splurge of different unattributed vocalism-overs. I think all of this focussed purely on Kitcheners New Army, then starting time recruited at the outbreak & seeing action starting with the Somme in 1916.
It would have been interesting to hear nearly the experiences of the professional person ground forces that fought & mostly died in 1914 and 1915, and perchance a few voices from the arms might have given some interesting & different information. As it is, this really feels similar a nicely colorised and much abbreviated version of the 1964 BBC serial , the Corking State of war (currently on youtube if you lot accept 26 hours to plow into it).
It might also have been nice to hear a few voices from the Germans and the French, even the Americans or the Irish - who I recollect had a quite different feel from the standard English language volunteers.
A 2 personas les pareció útil
Source: https://www.amazon.com/They-Shall-Not-Grow-Old/dp/B07PMNNGVH
Posted by: greenetryalk1966.blogspot.com
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